Almost every room we are called in to fix has a display large enough and a camera good enough. What it does not have is microphone coverage matched to the table, echo cancellation tuned to the room, and a control interface someone can use without being shown how.
SNA Infotech has been integrating audio-visual systems since 2010 — boardrooms, training rooms, auditoriums, lobbies and control rooms — using Crestron, Bosch, Panasonic, Sony, Samsung, LG and Hitachi equipment. We size the room first and pick the products second, then commission the result with your own team sitting in it.
Two questions, an indicative specification, and no obligation. Use it as a starting point for budgeting — the final design always follows a site visit.
The same brands, specified very differently depending on what the room has to do.
One screen, one cable, no equipment rack. Built for quick calls rather than formal presentations.
Build this room →The workhorse room. Where an interactive panel with an inbuilt camera often beats a display plus a separate camera on cost and cabling.
Build this room →Ceiling audio, dual displays and a control panel. The room where a failure is most visible and least forgivable.
Build this room →Projection or LED at scale, distributed sound, wireless microphones and a proper operator position.
Build this room →Filter by area, or search for a specific product type or brand.
Rooms that join a call with one tap, every time. Certified device combinations, correct camera framing and audio that does not make remote attendees ask people to repeat themselves.
Two to four seats, one cable. An all-in-one video bar with integrated camera, microphones and speakers keeps the cost and the cabling down without sounding like a speakerphone.
The room where the AV failing is most expensive. Dual displays or an LED wall, DSP-processed ceiling audio, discreet cabling and a control panel a director can use without a briefing.
Interactive flat panels with annotation, screen mirroring from student devices and lecture capture — built so a trainer can walk in and start without IT support.
Large-venue projection or dLED, distributed or line array sound with even coverage across the seating, and a control position an operator can actually run a session from.
Guests and staff share content from their own laptop or phone without hunting for an adapter — and without joining anything they should not be on.
Touch, annotate and save the whiteboard at the end of the session. Panels with an inbuilt camera and microphone array turn a meeting room into a video room without a separate device stack.
Commercial-grade panels rated for the hours you actually run them — unlike consumer televisions, which are warranted for a fraction of the duty cycle and fail early in a lobby.
Narrow-bezel LCD arrays or seamless fine-pitch LED for control rooms, lobbies and auditoriums — including the wall structure, alignment and processor sizing that make or break the result.
Projection still wins where the image needs to be bigger than a panel can go. We size brightness against your actual ambient light rather than the number on the box.
High-lumen projection for auditoriums, preview theatres and event spaces, with optical zoom, lens shift and edge blending where a single projector will not cover the screen.
Screens specified for where they go — a sunlit shopfront needs several times the brightness of a lobby, and a consumer panel in either will not last the year.
One console to schedule what plays where. Playlists by location, dayparting, live data feeds and an audit of what actually displayed — because a screen showing last quarter is worse than a blank one.
Directories, token and queue displays, visitor welcome boards and safety messaging — the screens that reduce the number of people asking your reception desk the same question.
Delegate and chairman units for boardrooms, council chambers and training centres — with request-to-speak queuing, voting and interpretation where the meeting format needs it.
The single biggest cause of bad meetings is audio, not video. Beamforming ceiling arrays with DSP tuning give every seat the same pickup without a table full of microphones.
Handheld, lapel and headset systems with PLL circuitry and frequency coordination — so two rooms running events on the same floor do not fight over the same channel.
Zoned announcement and background music across offices, plants and campuses, with paging priority and the interlocks a fire alarm system needs to override everything.
Sound reinforcement for auditoriums, atriums and event spaces — coverage modelled before purchase so the back row and the front row hear roughly the same thing.
Touch panels in a range of sizes with high-resolution displays and both Ethernet and wireless connectivity — programmed so the room has three buttons, not thirty.
Getting any source to any display without someone crawling under a table. Matrix switchers, scalers, extenders and splitters selected for the resolutions and cable runs you actually have.
Distributing audio and video over the network instead of dedicated AV cable — the right answer once you are covering multiple floors, and the wrong one if the network was not designed for it.
The unglamorous half of every AV project. Correctly rated cable, tested terminations, tidy table boxes and floor grommets — the parts that decide whether the room still works in year three.
Door panels showing free or busy, booked straight from Outlook, with occupancy sensors that release a room when nobody turns up — and tell you which rooms you actually need.
Nothing matches that search. Try a broader term — or tell us what the room needs and we will point you to the right team.
The order matters. Most AV disappointments trace back to skipping step one.
Room dimensions, ceiling height, ambient light, acoustics, existing power and network. Fifteen minutes here saves a redesign later.
Equipment schedule, layout drawing, cable schedule and the power and conduit requirements your interior contractor needs up front.
Installation coordinated with the fit-out programme, then DSP tuning, camera framing and control programming in the finished room.
User walkthrough with your team, a one-page room guide, as-built documentation and an AMC with defined response times.
Send us the floor plan or just the room dimensions. We will come back with an equipment schedule, a layout and a budgetary figure.
For rooms up to about ten seats, a panel with an inbuilt camera and microphone array is usually cheaper overall and far simpler to cable, because it removes the separate camera, audio bar and their power and USB runs. A display plus a dedicated camera makes more sense when the room is long or wide enough that you need a camera with real optical zoom, when you want speaker-tracking across a large table, or when you already own a codec you intend to keep. We size it against the actual room dimensions rather than the seat count alone.
Yes. We deploy certified device combinations for Microsoft Teams Rooms and Zoom Rooms so the room joins scheduled meetings with a single tap, and we integrate room calendars so the booking, the door panel and the in-room controller all show the same thing.
Consumer televisions are warranted for a few hours of use per day, are not designed for portrait orientation or continuous operation, and rarely offer the control ports, brightness or on-site warranty a workplace needs. In a lobby or a signage position they typically fail well inside the replacement cycle of a commercial panel, which is why the total cost usually ends up higher.
We handle the AV scope end to end — conduiting and cable routing, back-boxes, mounting structures, table boxes and joinery coordination — and work alongside your interior contractor and electrical contractor. We provide the power, conduit and structural requirements early enough for them to be built in rather than retrofitted.
Every installation is commissioned, tested with your own team in the room, and handed over with a short user guide and as-built documentation. Annual support contracts cover preventive maintenance visits, lamp and filter servicing where applicable, firmware updates and defined response times.
We are headquartered in Mumbai and install and support AV systems across Vasai-Virar, Thane, Navi Mumbai and the wider MMR, with project delivery at customer sites across India.
Send the room dimensions and what it is used for. We will come back with a specification and a budgetary figure.
SNA Infotech Pvt Ltd provides turnkey solutions for Business and Technology Relocation Projects as well as new facility construction projects.
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